Middle Bay Light

21st Century Digital #7

Highsmith, Carol M, photographer. Middle Bay or Mobile Bay Lighthouse, Mobile Bay, Alabama. 2010

Middle Bay or Mobile Bay Lighthouse, Mobile Bay, Alabama. 2010.1

Due to high labor costs in the post-Civil-War South, the lighthouse was prefabricated in the North and then shipped to Mobile Point, where it arrived in 1885. The screwpile lighthouse consists of a wooden hexagonal dwelling with a roof that sloped upwards to a centrally located lantern room. The lighthouse is supported by seven legs-one in the middle, and a single leg extending from each corner of the superstructure.2

The light was automated in 1935 and deactivated in 1967.  In 2003, a real-time weather station was added to the lighthouse by the Dauphin Island Sea Lab and the Mobile Bay National Estuary Program. Still running, the weather station, one of seven in Mobile Bay, samples precipitation, total and quantum solar radiation, air temperature, relative humidity, wind speed and direction, barometric pressure, water temperature, salinity, water depth, and dissolved oxygen. These data can be seen in real-time at www.mymobilebay.com.3


End Notes:

  1. Highsmith, Carol M, photographer. Image retrieved from the Library of Congress, www.loc.gov/pictures/item/2010637365/. (Accessed October 16, 2016.); Medium: 1 photograph : digital, TIFF file, color;  Credit line: The George F. Landegger Collection of Alabama Photographs in Carol M. Highsmith’s America, Library of Congress, Prints and Photographs Division.
  2. Library of Congress, www.loc.gov/pictures/item/2010637365/
  3. Middle Bay Light – Wikipedia
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Surrender of a Confederate Soldier

Art on Sunday #21 and Random Topic #12 (sacrifice)1

Artist: Julian Scott (1846–1901)
1873.
Oil on canvas
Dimensions: 19.5 × 15.5 in (49.5 × 39.4 cm)
Current location: Smithsonian American Art Museum

Gallery Description:

At the age of fifteen, Julian Scott lied about his age to enlist in the Union army. He rose from drummer boy to infantryman, and for his service he earned the Congressional Medal of Honor. After his discharge he became an artist, initially focusing on images of heroic moments of sacrifice during the war. He painted this Confederate soldier with dignity. The raised white flag is simultaneously a surrender of the individual, his family, the Confederate cause, and the Southern way of life. The soldier’s wife cradles their infant child, while the enslaved man with them looks away, perhaps envisioning the changes in his own future. Scott imbued this work with respect for his Confederate counterpart, sounding a hopeful note for the future. (Renwick Gallery, Smithsonian American Art Museum )


Notes:

  1. This week’s Art on Sunday post was “inspired” by random topic selection “sacrifice” which was searched in Flickr. The image selected was found in my images, uploaded August 3, 2016.

Source:

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1880 Windmill

21st Century Digital #6

The top image is a digital “sketch” rendered from the digital photograph at the bottom.

1880 Windmill Detail (Akvis Sketch Color Pencil w adjusted coloration)

1880 South Dakota Windmill detail (Akvis Sketch rendering)1

Highsmith, Carol M, photographer. Windmill detail, 1880 Town, Murdo, South Dakota. 2009.

Windmill detail, 1880 Town, Murdo, South Dakota. 2009.2


Sources:

  1. Image rendered using Akvis Sketch v.16.0; Color Pencil High, coloration adjusted
  2. Highsmith, Carol M, photographer. Image retrieved from the Library of Congress, www.loc.gov/pictures/item/2010630569/. (Accessed October 16, 2016.); Medium: 1 photograph : digital, TIFF file, color. Credit line: Carol M. Highsmith’s America, Library of Congress, Prints and Photographs Division.

Highsmith, a distinguished and richly published American photographer, has donated her work to the Library of Congress since 1992. Starting in 2002, Highsmith provided scans or photographs she shot digitally with new donations to allow rapid online access throughout the world. Her generosity in dedicating the rights to the American people for copyright free access also makes this Archive a very special visual resource.

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Eyes of the Great Depression 136

Feininger, Andreas, photographer. Eyes of Worker servicing one of the floodlights that turn night into day at the big construction operations for a new steel plant which will make important additions to the vast amount of steel needed for the war effort, Columbia Steel Co., Geneva, Utah. Nov, 1942. Feininger, Andreas, photographer. Servicing one of the floodlights that turn night into day at the big construction operations for a new steel plant which will make important additions to the vast amount of steel needed for the war effort, Columbia Steel Co., Geneva, Utah. Nov, 1942.

Servicing one of the floodlights that turn night into day at the big construction operations for a new steel plant which will make important additions to the vast amount of steel needed for the war effort, Columbia Steel Co., Geneva, Utah. Nov, 1942.1


  1. Feininger, Andreas, photographer. Image retrieved from the Library of Congress, www.loc.gov/pictures/item/fsa1992001520/PP/. (Accessed October 18, 2016.)
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From Texas farmer to migratory worker in California–The Bitter Years #15

Lange, Dorothea, photographer. Industrialized agriculture. From Texas farmer to migratory worker in California. Kern County. Nov, 1938.

The Bitter Years, Wall 3 (Disaster)
Industrialized agriculture. From Texas farmer to migratory worker in California,
Kern County.
Nov, 1938.
Dorothea Lange 18607-C


The Bitter Years, in 1962, was Edward Steichen’s last exhibition as Director of the Department of Photography at New York’s Museum of Modern Art (MoMA). The images in the exhibition were personally selected by Steichen from 270,000 photos taken for the Farm Security Administration by a team of photographers employed between 1935 and 1941 to document (primarily) rural America during the Great Depression.

Image information:

  • Lange, Dorothea, photographer. Industrialized agriculture. From Texas farmer to migratory worker in California. Kern County. Nov, 1938. Image retrieved from the Library of Congress, www.loc.gov/pictures/item/fsa2000002138/PP/. (Accessed October 14, 2016.)
  • Call Number: LC-USF34- 018607-C [P&P]
  • Part of: Farm Security Administration – Office of War Information Photograph Collection

Note – This image has been digitally adjusted for one or more of the following:
– fade correction,
– color, contrast, and/or saturation enhancement
– selected spot and/or scratch removal
– cropped for composition and/or to accentuate subject matter
– straighten image

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Indian Cave

Three from the Road #15 – 2010 trip1

The cave at Indian Cave State Park, Nebraska

The cave at Indian Cave State Park, Nebraska

Petroglyph in rock at the cave at Indian Cave State Park, Nebraska

Petroglyph in rock at the cave at Indian Cave State Park, Nebraska

Petroglyph in rock at the cave at Indian Cave State Park, Nebraska

Indian Cave State Park is named for a cave that overlooks the present channel of the Missouri River.  Petroglyphs in the cave are evidence that the cave was used by prehistoric native peoples.   There is no evidence of any permanent structures.  The cave – actually a limestone overhang – was probably used primarily as a temporary shelter for nomadic hunters.

There are 15 or more petroglyphs scattered among the more recent modern graffiti in the cave.  They were created by nomadic tribesmen 1500 to 1800 years ago.  Many of them are of American bison (buffalo).

Stairs and decking with railings help to limit modern wear and tear on the cave.

We arrived at Indian Cave State Park on July 3rd, 2010, and left on the 5th.


References:

Endnote:

  1. Three from the Road is a series sharing images from places we’ve visited.  Initially, each post included thee images, related by a randomly selected location or topic. Posts now may be random choices or pre-planned sequences.  This post is in a series sequentially sharing images from our 2010 trip west.
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1935–Dust Denudes More Acres

Dust, Drought, and Depression #11

CaptureWorst Storm’ of Year Adds to Desolation of Southwest Area

Kansas City. Mo.-(AP)-Dust drifts and human misery increased Thursday in the plains area as now silt laden winds blew from the northwest.
A M. Hamrick, federal meteorologist here, could see little hope for cessation of the dust plague to the west and southwest, but there were reports of beneficial rains north and northeast of here.
The northern border of Kansas and the approximate center of the state apparently formed the dividing line for the dust with western Kansas, eastern Colorado and Wyoming, western parts of Oklahoma, virtually all of Texas and parts of New Mexico bearing the brunt of the storm.

Barren Fields Now

Where In other years at this season wheat and other crops have spread their checkerboard pattern of green shades over the landscape, there are barren fields without a blade of green, drifts of soil along roads, fences and farm buildings, and deserted highways.
While no relief from nature was in sight Thursday, some was promised from Washington. The AAA agreed to make full benefit payments to farmers in drouth areas who plant no wheat because of adverse weather conditions.

In this 1935 photo, a cloud of top soil lumbers across the road near Boise City, Oklahoma. Astonishingly, the cloud of dust is so large, it extends past the frame of the photo.

In this 1935 photo, a cloud of top soil lumbers across the road near Boise City, Oklahoma. Oklahoma’s Panhandle was the heart of what became known as the Dust Bowl.2

In a previous step to meet drouth conditions the administration announced that spring wheat farmers might plant up to 165 per cent of their base acreage instead of the maximum of 90 per cent. The ruling Thursday by Secretary Wallace waives the minimum requirement where there is evidence that planting of wheat would be a waste of seed because of the drouth.

Get Roosevelt Support

This action will be taken only in counties officially designated by the AAA wheat section as drouth stricken areas and then only by county wheat production control committees after individual producers halve made application for exemption.
A group of congressmen from the drouth area called on President Roosevelt Wednesday and asked an adequate fund for a land program for the area The program would include the planting of cover crops The president assured them adequate funds for the project would be available.

Trainmen in Western Kansas are hoping for relief from a dust storm which made operation of trains difficult. This picture shows a second engine trying to extricate one stalled in a dust drift, April 4, 1935, Dodge City, Ks. (AP Photo)

Trainmen in Western Kansas are hoping for relief from a dust storm which made operation of trains difficult. This picture shows a second engine trying to extricate one stalled in a dust drift, April 4, 1935, Dodge City, Ks. (AP Photo)3

For a month dun colored clouds have swirled and billowed over what once was known as the nation’s bread basket. Hopes for relief, raised earlier this week by promising weather forecasts, were shattered Wednesday by a dust “blizzard” called the worst of the series.
As the latest storm roared over the middle west, the government’s monthly crop report was released.

Many Acres Abandoned

“A large proportion of the acreage,” in this important winter wheat area is being abandoned, it said. The condition of the wheat crop in six Kansas counties—Graham, Gove, Greeley, Wichita, Hamilton and Kearney—was listed as zero.
From other sources came reports that bordered on the pitiful.
“The only hope now, if they get rain instead of dust, is in sorghums and corn,” declared Prof. R. I. Throckmorton of Kansas State college in referring to the western third of Kansas.

Three children prepare to leave for school wearing goggles and homemade dust masks to protect them from the dust. Lakin, Kansas, 1935. Credit: Green Family Collection

Three children prepare to leave for school wearing goggles and homemade dust masks to protect them from the dust. Lakin, Kansas, 1935.4

Kenneth Welch, relict administrator in Baca county, Colorado. said no crops whatever can be expected in southeastern Colorado unless heavy spring rains come.
“I do not see how anyone can continue to live here if these storms continue.” Welch added.

Dust Chokes Babies

“Dust pneumonia is increasing rapidly among children in Baca county because of the unusually severe dust storms of the last few days,” Welch said. “Doctors report to me that several eases are critical and the situation is daily becoming worse, particularly among infants.”
The people are wearing dust masks and schools are closed.
The terrific dust gales of the last three days have been extremely hard on livestock in southeastern Colorado, although relatively few cattle remain.
Some residents are deserting the stricken area but the majority are determined to “stick it out,” either because they have no other place to go or because of hope that better days are coming.

As a black blizzard rolls in to Ulysses, Kansas, two women and a girl pose for a photograph before taking shelter.

As a black blizzard rolls in to Ulysses, Kansas, two women and a girl pose for a photograph before taking shelter.

Approximately 100 families have left Cimarron and Texas counties in northwestern Oklahoma. Scores of women and children have been sent from Baca county, Colorado. A few families have left Union county, New Mexico.

Dust Carried Eastward

Wednesday’s dust storm closed schools, forced shopkeepers to close their stores, grounded airplanes and disrupted train and bus schedules. By night the cloud of dust had been carried into Iowa, Missouri and Arkansas. The dust swirled eastward over St. Louis Thursday and was reported blowing over Tennessee.
Four buses were held over night at Garden City, Kas., the drivers reporting the highways too dangerous because of the dust. At Pritchet, Col., 180 school children and passengers on storm bound buses spent the night in schoolhouses and pigvate homes.
Trains from the west arrived in Kansas City from three and one-half to six hours late Wednesday, some trains with coaches so dirty that new ones had to be substituted. Train windows were coated with a heavy film of grime.
At Great Bend, Kas., the blinding dust was blamed Thursday for an automobile-truck collision that killed Lee Cooper, 23.


References:

  1. The Milwaukee Journal – April 11, 1935
  2. Daily News – AP photo.
  3. Kansas Dust Bowl – The Wichita Eagle
  4. Credit: Green Family Collection
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Marais des Cygnes

Three from the Road #14 – 2010 trip

Rest stop at Marais des Cygnes National Wildlife Refuge, Kansas, East of US 69 on Kansas 52

Our Class C motorhome and car at
Marais des Cygnes Rest Area, near Pleasonton, Kansas

Our first day of travel had been in heavy traffic on I40 and I540 (now I49) in Arkansas. Rather than travel busy US 71 in western Missouri, we opted to travel from Joplin, Missouri over to US 69, which runs north in eastern Kansas, paralleling the state line up to Kansas City.

Much of the route we took was on roads that approximates the old military trail used by the Army to transport troops and supplies between the frontier forts. In 1836, President Andrew Jackson authorized $100,00 to build a military road from Fort Snelling in Minnesota to Fort Gibson in what is today Oklahoma.  It was to be used for frontier defense and a patrol system, and, later for commerce.

Around lunch time, we came across another nice rest area. It’s just off US 69 about a quarter mile or so east on Highway 52, adjacent to the Marais des Cygnes National Wildlife Refuge.  After lunch, we took a short walk.

Rest stop at Marais des Cygnes National Wildlife Refuge, Kansas, East of US 69 on Kansas 52

There is an interesting little interpretive trail through an area with prairie grasses and wildflowers. Signs along the trail briefly describe some of the history of the area, from the times before the explorers and pioneers through the travelers of today.

In the 1850s, before the Civil War, the area we were driving through saw a lot of armed conflict.  Pro and anti-slavery factions from the east had come to Kansas for the fight over whether Kansas would become a free state or a slave state.  On May 19, 1858, pro-slavery forces came from Missouri and captured 11 free-state men, killing five of them in a ravine just to the northeast of the rest stop in what came to be known as the Marais des Cygnes Massacre.

Rest stop at Marais des Cygnes National Wildlife Refuge, Kansas, East of US 69 on Kansas 52

References:

Three from the Road is a series sharing images from places we’ve visited.  Initially, each post included thee images, related by a randomly selected location or topic. Posts now may be random choices or pre-planned sequences.  This post is in a series sharing images from our 2010 trip west.

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Brooklyn Bridge

Art on Sunday #20 and Random Topic #11 (crush)

Brooklyn Bridge by Joseph Stella, The Yale University Art Gallery

Artist: Joseph Stella, American, born Italy, 1877–1946
Created 1919–20
Oil on canvas
215.3 x 194.6 cm (84 3/4 x 76 5/8 in.)
Gift of Collection Société Anonyme

Brooklyn Bridge is Joseph Stella’s best-known and most moving testimonial to the power and majesty of America’s modern industrial landscape. His fascination with the bridge began with his first sight of it shortly after his arrival in America in 1896 from his native Italy. He described it as the shrine containing all the efforts of the new civilization of America. It was not until moving to Brooklyn and actually living in the bridge’s shadow that he committed his feelings to canvas: “Many nights I stood on the bridge—and in the middle alone— lost—a defenseless prey to the surrounding swarming darkness—crushed1 by the mountainous black impenetrability of the skyscrapers—here and there lights resembling suspended falls of astral bodies or fantastic splendors of remote rites—shaken by the underground tumult of the trains in perpetual motion, like blood in the arteries—at times, ringing as alarm in a tempest, the shrill sulphurous voice of the trolley wires—now and then strange moanings of appeal from tugboats, guessed more than seen, through the infernal recesses below—I felt deeply moved, as if on the threshold of a new religion or in the presence of a new DIVINITY.” Stella returned to the subject of the bridge many times throughout his career.2


Notes:

  1. This week’s Art on Sunday post was “inspired” by random topic selection “crush” which was searched in The Yale University Art Gallery.
  2. Description is from the Gallery. The Gallery provides free and open access to images of works in its collection that are believed to be in the public domain, as well as to certain other materials, including the descriptive information which accompanies those images. Gallery Terms and Conditions.

Source:

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Mrs. M.W., widow, runs a rented farm–The Bitter Years #14

The Bitter Years, Wall 2 (Drought and Erosion)
Mrs. Mary Willis, widow, who with two children runs a rented farm near Woodville.
Greene County, Georgia.
June, 1941.
Jack Delano 44763-D


The Bitter Years, in 1962, was Edward Steichen’s last exhibition as Director of the Department of Photography at New York’s Museum of Modern Art (MoMA). The images in the exhibition were personally selected by Steichen from 270,000 photos taken for the Farm Security Administration by a team of photographers employed between 1935 and 1941 to document (primarily) rural America during the Great Depression.

Image information:

  • Delano, Jack, photographer. Mrs. Mary Willis, widow, who with two children runs a rented farm near Woodville. Greene County, Georgia. June, 1941. Image retrieved from the Library of Congress, www.loc.gov/pictures/item/fsa2000026322/PP/. (Accessed October 12, 2016.)
  • Call Number: LC-USF34- 044763-D [P&P]
  • Part of: Farm Security Administration – Office of War Information Photograph Collection

Notes:

  • This is the highest resolution image I could find.  It is one of a very large number of images in the Library of Congress Prints & Photographs Online Catalog that do not have high resolution versions online.
  • This image has been digitally adjusted for one or more of the following:
    • fade correction,
    • color, contrast, and/or saturation enhancement
    • selected spot and/or scratch removal
    • cropped for composition and/or to accentuate subject matter
    • straighten image
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