Are you hopeful?

Art on Sunday #15

Are you hopeful? Painting includes the ruins of the World Trade Center, New York City, following the September 11th terrorist attack. Aurora Valero, Artist.

Are you hopeful?
Painting includes the ruins of the World Trade Center, New York City,
following the September 11th terrorist attack.
Aurora Valero, Artist.


  • Exhibited: Witness and Response: September 11 Acquisitions at the Library of Congress, 2002.
  • Aurora Valero, Artist. Are you hopeful? Dec, 2001. Image. Retrieved from the Library of Congress, www.loc.gov/item/2002710543/. (Accessed September 09, 2016.)
  • Forms part of: the Exit Art Gallery Reactions Collection: A Global Response to the 9/11 Attacks.
  • Publication and other forms of distribution: Permitted. Rights to works in Exit Art’s “Reactions” Exhibition Collection are held by Exit Art, which has stipulated that “… we desire that the materials be free for use by the public.”
2 comments
None

Pennsylvania Coal Miner–The Bitter Years #8

Pennsylvania Coal Miner by John Collier, exhibited in Steichen's The Bitter Years.

While The Bitter Years was an exhibition of over 200 images of rural America intended to illustrate the poverty and desperation of the time, this image by John Collier, Jr. was taken during a project with a very different purpose, which Collier described briefly in a 1965 interview at his home.1

“Finally, I was sent to the coal fields of Pittsburgh, not that there were any documents to show poverty, but to photograph the most modern way to get coal out of the ground. And I spent a murky month in Pittsburgh working in the coal mines doing a highly technological job of recording culture underground. It was a very exciting experience. It still was far a field from my involvement. I preferred that assignment; it was a truly typical one, an exciting one.”


The Bitter Years, in 1962, was Edward Steichen’s last exhibition as Director of the Department of Photography at New York’s Museum of Modern Art (MoMA). The images in the exhibition were personally selected by Steichen from 270,000 photos taken for the Farm Security Administration by a team of photographers employed between 1935 and 1941 to document (primarily) rural America during the Great Depression.

Image located and snipped by online search September 5, 2016 from ep.yimg.com/ay/artbook/sneak-peek-the-bitter-years-review…

This image was taken by John Collier when he was working for the Farm Services Administration and is in the public domain.


Endnotes:

  1. An interview with John Collier at his home on Muir Beach, Sausalito, California; January 18, 1965. The interviewer is Richard K. Doud. – American Suburb X, Accessed September 5, 2016
0 comments
None

Road Closed

Sign, Sign, Everywhere a Sign

from EPA Stock Photograph Files, USEPA photo by Eric Vance, October 30, 2012

Road Closed, Flooded Picnic Shelter
National Archives and Records Administration
originally from EPA Stock Photograph Files
USEPA photo by Eric Vance
October 30, 2012


Exit78 photo series: Sign, Sign, Everywhere a Sign (004)

0 comments
None

Sorry, No Gas

Sign, Sign, Everywhere a Sign

"No Gas" Signs Were a Common Sight in Oregon During the Fall of 1973, Such as at This Station in Lincoln City Along the Coast. Many Stations Closed Earlier, Opened Later and Shut Down on the Weekends 10/1973

“No Gas” Signs Were a Common Sight in Oregon During the Fall of 1973, Such as at This Station in Lincoln City Along the Coast. Many Stations Closed Earlier, Opened Later and Shut Down on the Weekends
October 1973
National Archives
Environmental Protection Agency Project DOCUMERICA


Exit78 photo series: Sign, Sign, Everywhere a Sign (003)

0 comments
None

County Library

Sign, Sign, Everywhere a Sign

County Library, We want One -- Rockville Fair, Maryland, 1928.

Rockville Fair, Maryland, 1928.
Retrieved from the Library of Congress, www.loc.gov/pictures/item/npc2008013854/.
(Accessed September 01, 2016.)


Exit78 photo series: Sign, Sign, Everywhere a Sign (002)

2 comments
None

Dust, Drought, and Depression #5.

Lee, Russell, photographer. Dust storm near Williston, North Dakota. Oct, 1937.

Dust storm near Williston, North Dakota; October 1937; photo by Russell Lee; Library of Congress image

Rothstein, Arthur, photographer. Dust bowl farmer raising fence to keep it from being buried under drifting sand. Cimarron County, Oklahoma. Apr, 1936

Dust bowl farmer raising fence to keep it from being buried under drifting sand. Cimarron County, Oklahoma; April 1936; photo by Arthur Rothstein; Library of Congress image.

Liberal (vicinity), Kan. Soil blown by dust bowl winds piled up in large drifts on a farm; March 1936; photo by Arthur Rothstein; Library of Congress image.

Liberal (vicinity), Kan. Soil blown by dust bowl winds piled up in large drifts on a farm; March 1936; photo by Arthur Rothstein; Library of Congress image.

0 comments
None

September 11th – Fifteen Years

I realized a few days ago that the 15th year anniversary of the September 11th attacks was approaching and started looking at – and saving – images from then that are in the public domain.  I initially had no plan on what to do with them until yesterday, when I decided to do a short video.

Much has happened in the years since the planes flew into the World Trade Center.  The world seems far different, with terror attacks occurring all too frequently around the world, terror attacks that gain little or nothing for those who plot and plan them.

The first several images are from several years to a month before the attack.  They simply show New York City with the twin towers still standing.

The music track used is “September 11, 2001 – Theme from the Last Castle” by Jerry Goldsmith.  According to YouTube, videos using this track are viewable everywhere except Germany.

Image used in this video are public domain, accessed from the Library of Congress or the U.S. National Archives.  Images are viewable in a Flickr album at https://www.flickr.com/photos/exit78/albums/72157672313859131.

6 comments
None

17.4¢ a gallon plus a gallon free

Sign, Sign, Everywhere a Sign

September 1942, Office of War Information photo by Ann Rosener, no gas ratioining yet in the middle of the country.

Somewhere in the middle of the country where gas rationing hasn’t hit yet
September 1942,
Office of War Information photo by Ann Rosener


Exit78 photo series: Sign, Sign, Everywhere a Sign (001)

2 comments
None

What became of Patsey?

random topic 001 (continued)

With 12 Years a Slave putting Solomon Northup’s story in the spotlight, Katie Calautti attempts to discover the fate of Patsey—and learns just how impossible it can be to find one woman when that woman was a slave.About 4 1/2 months after the October 2013 release of the movie 12 Years A Slave, an article in Vanity Fair describes writer Katie Calautti’s attempt to determine the fate of the real Patsey, learning “just how impossible it can be to find one woman when that woman was a slave.” After working for more than two months to find an answer, in the end, Patsey’s question of “What’ll become of me” remained unanswered.

Calautti writes:

I have scoured annotated versions of Northup’s text, census records, court documents, online genealogy databases, libraries, and newspapers from the era. I’ve spoken with experts in the fields of genealogy and historical research, consulted professors, archivists and historians, even traveled to the town in Louisiana where Epps’s plantation, once stood—all in an attempt to track Patsey’s life after Northup’s departure in 1853. I practically went cross-eyed after days of squinting at vital records recorded in miniscule cursive writing; I pulled archival books as heavy as small children from high shelves in cavernous, dusty warehouses; I almost hydroplaned into ditches while exploring unpaved backroads during rainstorms. I drove through towns with a Louisiana-history picture book on my lap in an attempt to match the old and new. I hand-cranked microfiche machines until my wrist was so stiff I couldn’t move it. The investigation has unearthed two new theories for every one posed, protruding from the murk of research like so many cypress knees lining Louisiana’s bayous. How can it be this hard to find one woman? The question seems as deceptively simple as Patsey’s, but the difficulty in answering proves emblematic of the lost histories of many slaves.

One contact, historian Meredith Melançon, told Calautti, “If I was Patsey and I survived to emancipation, I’d get the heck outta this place—as far away from Edwin Epps as possible.”

The biggest discovery of Calautti’s research was a an 1895 clipping from the “Idaho Register”  where a veteran’s recollection told of Northern soldiers recounting a visit to the Epps plantation.

Soon after the war, I met a number of returned soldiers who were with Banks on his Red river expedition, who told be of having read the book at the time it was published (in 1854), and who had visited the plantation of Edwin Epps, where Northup, or Platt, as he was known as a slave, passed years of his life.  They told me of seeing and talking with his former slave comrades, whose names were Uncle Abram, Wiley, Aunt Phoebe, Patsy, Bob, Henry, and Edward.

Calautti, though, identifies problems with this evidence. It was recounted 30 years after it happened.  It may have been that the soldiers told him they had talked to some of the slaves and the narrator referenced his copy of Northup’s book to cite the names of all of Epps’s slaves. Patsey might have left by then or she might have died.

It seems, however, based on a letter by a Captain Devendorf to the Mexico Independent newspaper, that Patsey was alive as late as June 1863 and had left  the plantation, going away with the union army.

Screen capture of segment of Mexico Independent, Mexico, N.Y. Thursday, June 18, 1863

Excerpt from a letter to “Nell” by Capt. Devendorf; Headquarters 110th Reg’t N.Y.S.V., Alexandria, La, May 11, 1863; published in the Mexico Independent, Mexico, N.Y. Thursday, June 18, 1863:

Now for a little item that will be of interest to you. One night before halting, I went on about two miles ahead to look out a camping place.  I came to a bridge across the bayou, at a good point, as I supposed, for supplies, on which stood a couple of negroes.  I asked one of them, about 30 years old, dressed up pretty well, with a nice silk hat on, what his name was.  He answered Bob.  “Who do you live with?” “Master Epes” Bob and Epes: Solomon Northrup immediately occurred to me, and I asked him if he ever knew a slave by the name of Platt.  “ Oh! golly, yes, master!” said he “He raised me.  I guess I does know him.  He came to our camp at night and proved to be the veritable Bob of Solomon Northrup celebrity, and Massa Epes the same master, and we were then on his plantation, the same that Solomon had worked on so many years ago.  I tried to get Bob to go with me, he being an intelligent darkey; but he would no on account of his mother, whom, he said, he must now stay with and support.  I found on inquiry among the negroes about that Platt was a very popular darkey among them; also that his story was true.  Patsey went away with our army last week, so she is at last far from the caprices of her jealous mistress.

It seems that Patsey had survived until the Union troops came through and, then, emancipated, did exactly what Meredith Melançon suggested, got “the heck outta this place!”

2 comments
None

Interior of wood shack built on Ford Chassis–The Bitter Years 007

Interior of wood shack built upon Ford truck chassis housing father, mother and seven children. This view shows the mother and two of her children. They were found on U.S. Route 70, between Bruceton and Camden, Tennessee, near Tennessee River. Carl Mydans (photographer) March 1936

Interior of wood shack built upon Ford truck chassis housing father, mother and seven children. This view shows the mother and two of her children. They were found on U.S. Route 70, between Bruceton and Camden, Tennessee, near Tennessee River –The Bitter Years 007

I’ve published 4 other posts using Mydans’ photos of this family:

The only information about this family I have been able find online is in the captions for the images at the Library of Congress:

Resettlement official investigating case of nine living in field on U.S. Route 70 between Camden and Bruceton, Tennessee, near Tennessee RiverResettlement official investigating case of nine living in field on U.S. Route 70 between Camden and Bruceton, Tennessee, near Tennessee River.


Three of the family of nine living in field in rough board covering built on old Ford truck chassis on U.S. Route 70, between Camden and Bruceton, Tennessee. Their water supply was an open creek running near state highwayThree of the family of nine living in field in rough board covering built on old Ford truck chassis on U.S. Route 70, between Camden and Bruceton, Tennessee. Their water supply was an open creek running near state highway.


Twelve-year old girl of family of nine living in one-room hut built over the chassis of abandoned Ford truck in open field on U.S. Route 70 between Camden and Bruceton, Tennessee. Near backward Tennessee section. View also shows one of the small boys in family; the girl is dressed in a meal sackTwelve-year old girl of family of nine living in one-room hut built over the chassis of abandoned Ford truck in open field on U.S. Route 70 between Camden and Bruceton, Tennessee. Near backward Tennessee section. View also shows one of the small boys in family; the girl is dressed in a meal sack.


One-room hut housing family of nine built over chassis of abandoned Ford in open field between Camden and Bruceton, Tennessee, near Tennessee River.One-room hut housing family of nine built over chassis of abandoned Ford in open field between Camden and Bruceton, Tennessee, near Tennessee River.


Mother and baby of family of nine living in field on U.S. Route 70 in Tennessee, near Tennessee RiverMother and baby of family of nine living in field on U.S. Route 70 in Tennessee, near Tennessee River


After adding the images from the Library of Congress, I continued searching online for additional information.  While I didn’t find any new facts about the family or their situation, I did discover two additional images in The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection, The New York Public Library Digital Collections.

Illiterate father of seven children living with his family (9 of them) in open field in rough board covering built on old Ford truck chassis on U.S. Route 70, between Bruceton and Camden, Tennessee. Their water supply was an open creek running near highway.Illiterate father of seven children living with his family (9 of them) in open field in rough board covering built on old Ford truck chassis on U.S. Route 70, between Bruceton and Camden, Tennessee. Their water supply was an open creek running near highway.


Mother and father and several children of a family of nine living in open field in rough board covering built on old Ford chassis on U.S. Route 70, between Bruceton and Camden, Tennessee. Their water supply was an open creek running near highway.


The Bitter Years, in 1962, was Edward Steichen’s last exhibition as Director of the Department of Photography at New York’s Museum of Modern Art (MoMA). The images in the exhibition were personally selected by Steichen from 270,000 photos taken for the Farm Security Administration by a team of photographers employed between 1935 and 1941 to document (primarily) rural America during the Great Depression.

2 comments
None