1935–Dust Denudes More Acres

Dust, Drought, and Depression #11

CaptureWorst Storm’ of Year Adds to Desolation of Southwest Area

Kansas City. Mo.-(AP)-Dust drifts and human misery increased Thursday in the plains area as now silt laden winds blew from the northwest.
A M. Hamrick, federal meteorologist here, could see little hope for cessation of the dust plague to the west and southwest, but there were reports of beneficial rains north and northeast of here.
The northern border of Kansas and the approximate center of the state apparently formed the dividing line for the dust with western Kansas, eastern Colorado and Wyoming, western parts of Oklahoma, virtually all of Texas and parts of New Mexico bearing the brunt of the storm.

Barren Fields Now

Where In other years at this season wheat and other crops have spread their checkerboard pattern of green shades over the landscape, there are barren fields without a blade of green, drifts of soil along roads, fences and farm buildings, and deserted highways.
While no relief from nature was in sight Thursday, some was promised from Washington. The AAA agreed to make full benefit payments to farmers in drouth areas who plant no wheat because of adverse weather conditions.

In this 1935 photo, a cloud of top soil lumbers across the road near Boise City, Oklahoma. Astonishingly, the cloud of dust is so large, it extends past the frame of the photo.

In this 1935 photo, a cloud of top soil lumbers across the road near Boise City, Oklahoma. Oklahoma’s Panhandle was the heart of what became known as the Dust Bowl.2

In a previous step to meet drouth conditions the administration announced that spring wheat farmers might plant up to 165 per cent of their base acreage instead of the maximum of 90 per cent. The ruling Thursday by Secretary Wallace waives the minimum requirement where there is evidence that planting of wheat would be a waste of seed because of the drouth.

Get Roosevelt Support

This action will be taken only in counties officially designated by the AAA wheat section as drouth stricken areas and then only by county wheat production control committees after individual producers halve made application for exemption.
A group of congressmen from the drouth area called on President Roosevelt Wednesday and asked an adequate fund for a land program for the area The program would include the planting of cover crops The president assured them adequate funds for the project would be available.

Trainmen in Western Kansas are hoping for relief from a dust storm which made operation of trains difficult. This picture shows a second engine trying to extricate one stalled in a dust drift, April 4, 1935, Dodge City, Ks. (AP Photo)

Trainmen in Western Kansas are hoping for relief from a dust storm which made operation of trains difficult. This picture shows a second engine trying to extricate one stalled in a dust drift, April 4, 1935, Dodge City, Ks. (AP Photo)3

For a month dun colored clouds have swirled and billowed over what once was known as the nation’s bread basket. Hopes for relief, raised earlier this week by promising weather forecasts, were shattered Wednesday by a dust “blizzard” called the worst of the series.
As the latest storm roared over the middle west, the government’s monthly crop report was released.

Many Acres Abandoned

“A large proportion of the acreage,” in this important winter wheat area is being abandoned, it said. The condition of the wheat crop in six Kansas counties—Graham, Gove, Greeley, Wichita, Hamilton and Kearney—was listed as zero.
From other sources came reports that bordered on the pitiful.
“The only hope now, if they get rain instead of dust, is in sorghums and corn,” declared Prof. R. I. Throckmorton of Kansas State college in referring to the western third of Kansas.

Three children prepare to leave for school wearing goggles and homemade dust masks to protect them from the dust. Lakin, Kansas, 1935. Credit: Green Family Collection

Three children prepare to leave for school wearing goggles and homemade dust masks to protect them from the dust. Lakin, Kansas, 1935.4

Kenneth Welch, relict administrator in Baca county, Colorado. said no crops whatever can be expected in southeastern Colorado unless heavy spring rains come.
“I do not see how anyone can continue to live here if these storms continue.” Welch added.

Dust Chokes Babies

“Dust pneumonia is increasing rapidly among children in Baca county because of the unusually severe dust storms of the last few days,” Welch said. “Doctors report to me that several eases are critical and the situation is daily becoming worse, particularly among infants.”
The people are wearing dust masks and schools are closed.
The terrific dust gales of the last three days have been extremely hard on livestock in southeastern Colorado, although relatively few cattle remain.
Some residents are deserting the stricken area but the majority are determined to “stick it out,” either because they have no other place to go or because of hope that better days are coming.

As a black blizzard rolls in to Ulysses, Kansas, two women and a girl pose for a photograph before taking shelter.

As a black blizzard rolls in to Ulysses, Kansas, two women and a girl pose for a photograph before taking shelter.

Approximately 100 families have left Cimarron and Texas counties in northwestern Oklahoma. Scores of women and children have been sent from Baca county, Colorado. A few families have left Union county, New Mexico.

Dust Carried Eastward

Wednesday’s dust storm closed schools, forced shopkeepers to close their stores, grounded airplanes and disrupted train and bus schedules. By night the cloud of dust had been carried into Iowa, Missouri and Arkansas. The dust swirled eastward over St. Louis Thursday and was reported blowing over Tennessee.
Four buses were held over night at Garden City, Kas., the drivers reporting the highways too dangerous because of the dust. At Pritchet, Col., 180 school children and passengers on storm bound buses spent the night in schoolhouses and pigvate homes.
Trains from the west arrived in Kansas City from three and one-half to six hours late Wednesday, some trains with coaches so dirty that new ones had to be substituted. Train windows were coated with a heavy film of grime.
At Great Bend, Kas., the blinding dust was blamed Thursday for an automobile-truck collision that killed Lee Cooper, 23.


References:

  1. The Milwaukee Journal – April 11, 1935
  2. Daily News – AP photo.
  3. Kansas Dust Bowl – The Wichita Eagle
  4. Credit: Green Family Collection
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Marais des Cygnes

Three from the Road #14 – 2010 trip

Rest stop at Marais des Cygnes National Wildlife Refuge, Kansas, East of US 69 on Kansas 52

Our Class C motorhome and car at
Marais des Cygnes Rest Area, near Pleasonton, Kansas

Our first day of travel had been in heavy traffic on I40 and I540 (now I49) in Arkansas. Rather than travel busy US 71 in western Missouri, we opted to travel from Joplin, Missouri over to US 69, which runs north in eastern Kansas, paralleling the state line up to Kansas City.

Much of the route we took was on roads that approximates the old military trail used by the Army to transport troops and supplies between the frontier forts. In 1836, President Andrew Jackson authorized $100,00 to build a military road from Fort Snelling in Minnesota to Fort Gibson in what is today Oklahoma.  It was to be used for frontier defense and a patrol system, and, later for commerce.

Around lunch time, we came across another nice rest area. It’s just off US 69 about a quarter mile or so east on Highway 52, adjacent to the Marais des Cygnes National Wildlife Refuge.  After lunch, we took a short walk.

Rest stop at Marais des Cygnes National Wildlife Refuge, Kansas, East of US 69 on Kansas 52

There is an interesting little interpretive trail through an area with prairie grasses and wildflowers. Signs along the trail briefly describe some of the history of the area, from the times before the explorers and pioneers through the travelers of today.

In the 1850s, before the Civil War, the area we were driving through saw a lot of armed conflict.  Pro and anti-slavery factions from the east had come to Kansas for the fight over whether Kansas would become a free state or a slave state.  On May 19, 1858, pro-slavery forces came from Missouri and captured 11 free-state men, killing five of them in a ravine just to the northeast of the rest stop in what came to be known as the Marais des Cygnes Massacre.

Rest stop at Marais des Cygnes National Wildlife Refuge, Kansas, East of US 69 on Kansas 52

References:

Three from the Road is a series sharing images from places we’ve visited.  Initially, each post included thee images, related by a randomly selected location or topic. Posts now may be random choices or pre-planned sequences.  This post is in a series sharing images from our 2010 trip west.

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Brooklyn Bridge

Art on Sunday #20 and Random Topic #11 (crush)

Brooklyn Bridge by Joseph Stella, The Yale University Art Gallery

Artist: Joseph Stella, American, born Italy, 1877–1946
Created 1919–20
Oil on canvas
215.3 x 194.6 cm (84 3/4 x 76 5/8 in.)
Gift of Collection Société Anonyme

Brooklyn Bridge is Joseph Stella’s best-known and most moving testimonial to the power and majesty of America’s modern industrial landscape. His fascination with the bridge began with his first sight of it shortly after his arrival in America in 1896 from his native Italy. He described it as the shrine containing all the efforts of the new civilization of America. It was not until moving to Brooklyn and actually living in the bridge’s shadow that he committed his feelings to canvas: “Many nights I stood on the bridge—and in the middle alone— lost—a defenseless prey to the surrounding swarming darkness—crushed1 by the mountainous black impenetrability of the skyscrapers—here and there lights resembling suspended falls of astral bodies or fantastic splendors of remote rites—shaken by the underground tumult of the trains in perpetual motion, like blood in the arteries—at times, ringing as alarm in a tempest, the shrill sulphurous voice of the trolley wires—now and then strange moanings of appeal from tugboats, guessed more than seen, through the infernal recesses below—I felt deeply moved, as if on the threshold of a new religion or in the presence of a new DIVINITY.” Stella returned to the subject of the bridge many times throughout his career.2


Notes:

  1. This week’s Art on Sunday post was “inspired” by random topic selection “crush” which was searched in The Yale University Art Gallery.
  2. Description is from the Gallery. The Gallery provides free and open access to images of works in its collection that are believed to be in the public domain, as well as to certain other materials, including the descriptive information which accompanies those images. Gallery Terms and Conditions.

Source:

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Mrs. M.W., widow, runs a rented farm–The Bitter Years #14

The Bitter Years, Wall 2 (Drought and Erosion)
Mrs. Mary Willis, widow, who with two children runs a rented farm near Woodville.
Greene County, Georgia.
June, 1941.
Jack Delano 44763-D


The Bitter Years, in 1962, was Edward Steichen’s last exhibition as Director of the Department of Photography at New York’s Museum of Modern Art (MoMA). The images in the exhibition were personally selected by Steichen from 270,000 photos taken for the Farm Security Administration by a team of photographers employed between 1935 and 1941 to document (primarily) rural America during the Great Depression.

Image information:

  • Delano, Jack, photographer. Mrs. Mary Willis, widow, who with two children runs a rented farm near Woodville. Greene County, Georgia. June, 1941. Image retrieved from the Library of Congress, www.loc.gov/pictures/item/fsa2000026322/PP/. (Accessed October 12, 2016.)
  • Call Number: LC-USF34- 044763-D [P&P]
  • Part of: Farm Security Administration – Office of War Information Photograph Collection

Notes:

  • This is the highest resolution image I could find.  It is one of a very large number of images in the Library of Congress Prints & Photographs Online Catalog that do not have high resolution versions online.
  • This image has been digitally adjusted for one or more of the following:
    • fade correction,
    • color, contrast, and/or saturation enhancement
    • selected spot and/or scratch removal
    • cropped for composition and/or to accentuate subject matter
    • straighten image
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Eyes of the Great Depression 135

Eyes of dust bowl farmer and son; Lange, Dorothea, photographer. Dust bowl farmer with tractor and young son near Cland, New Mexico. June, 1938. Dust bowl farmer with tractor and young son near Cland, New Mexico. Dust bowl farmer with tractor and young son near Cland, New Mexico. June 1938.

Lange, Dorothea, photographer. Dust bowl farmer with tractor and young son near Cland, New Mexico. June, 1938. Image. Retrieved from the Library of Congress, www.loc.gov/pictures/item/fsa2000001822/PP/. (Accessed October 03, 2016.)

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Poison Ivy–Effects on Pets and Other Animals.

Random Topic #10

It’s been years since I’ve had poison ivy – and it’s probably due to just dumb luck as it is quite common in Arkansas and we have quite a bit of it on our property.  We don’t have any pets or other animals, so I’ve never really thought about how poison ivy would affect other creatures.

Poison Ivy

Poison ivy is an Asian and North American plant, known for the irritating, itching rash it causes in some people, a rash that is also sometimes painful.  The numerous subspecies of Toxicodendron radicans – poison ivy – are variable in appearance and habit and can be found growing as a climbing vine that grow on trees or other supports, a shrub as tall as 4 feet (1.2 meters), or as a trailing vine.  The compound that causes the rash is urushiol, an odorless, colorless clear liquid in the plant’s sap. Contrary to some beliefs, the urushiol in poison ivy is not a defensive measure to ward off animals, but, rather, helps the plant retain water.1

While many sources say pets and virtually all other animals are not sensitive to effects of urushiol, some papers document that dogs can get the rash.2  Unfortunately, pets that roam outside can carry the oil to their humans as well as other surfaces.Poison ivy is commonly eaten by many animals, such as cattle, goats, deer and bear, and the seeds are consumed by birds. Studies have shown that white-tailed deer prefer eating poison ivy over most other plants.

Definition of urushiol: a mixture of catechol derivatives with saturated or unsaturated side chains of 15 or 17 carbon atoms that is an oily toxic irritant principle present in poison ivy and some related plants (genus Rhus) and in lacquers derived from such plants.4


Sources:

  1. Toxicodendron radicans – Wikipedia
  2. Dogs CAN Get Poison Ivy? – Poison Ivy
  3. Do Dogs And Cats Get A Poison Ivy Rash? – About.com
  4. Merriam-Webster Dictionary

Image information:

  • Image by Jan Haerer (leoleobobeo); Accessed on Pixabay, October 12, 2016; CC0 Public Domain, Free for commercial use, No attribution required.
  • This image differs from the original in that the dead foliage clutter has been converted to greyscale.  This does not change the copyright status of the work as the only original contribution is altering color.
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Chicken House

21st Century Digital #5

The top image is a digital “sketch” rendered from the digital photograph at the bottom.

Thousands of Chickens in an Alabama chicken house. (Akvis Sketch rendering) 1

Thousands of chickens live in this large place where their main function is to lay eggs. Located in Monroe County, Alabama. May 2, 2010.2


Sources:

  1. Image rendered via Akvis Sketch v.16.0; detailed sketch, original colors, intensity reduced
  2. Highsmith, Carol M, photographer. Image retrieved from the Library of Congress, www.loc.gov/pictures/item/2010639851/. (Accessed October 11, 2016.); Medium: 1 photograph : digital, TIFF file, color; Credit line: The George F. Landegger Collection of Alabama Photographs in Carol M. Highsmith’s America, Library of Congress, Prints and Photographs Division.

Highsmith, a distinguished and richly published American photographer, has donated her work to the Library of Congress since 1992. Starting in 2002, Highsmith provided scans or photographs she shot digitally with new donations to allow rapid online access throughout the world. Her generosity in dedicating the rights to the American people for copyright free access also makes this Archive a very special visual resource.

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Sugar Beet Workers

Random Topic #9 – sugar

Sugar beet workers, Sugar City, Colorado. Mary, six years, Lucy, eight, Ethel, ten. Family has been here ten years. Children go to school in the winter. July 1915. Hine, Lewis Wickes, photographer. Sugar beet workers, Sugar City, Colorado. Mary, six years, Lucy, eight, Ethel, ten.
Family has been here ten years. Children go to school in the winter. July 1915.1

Three-year old Hilda, who is beginning beet work on a Wisconsin farm. July, 1915. Hine, Lewis Wickes, photographer. Three-year old Hilda, who is beginning beet work on a Wisconsin farm. July, 1915.2

"I don't never git no rest." This is the attitude that Henry, a six-year old beet worker takes toward life, on a Wisconsin farm. July, 1915 Hine, Lewis Wickes, photographer. “I don’t never git no rest.” This is the attitude that Henry, a six-year old beet worker takes toward life, on a Wisconsin farm. July, 1915.3

Ten-year-old Mollie Steuben topping beets. Many children of this age put in a full day's work, and many begin younger. The work is hard and the children sometimes cut themselves or are "hooked" by the long tooth on the end of the blade. Mollie and her two sisters, 12 and 14 yrs. old, work from 6 A.M. to 5 P.M., near Sterling, Colorado, Oct. 21, 1915. Ten-year-old Mollie Steuben topping beets. Many children of this age put in a full day’s work, and many begin younger. The work is hard and the children sometimes cut themselves or are “hooked” by the long tooth on the end of the blade. Mollie and her two sisters, 12 and 14 yrs. old, work from 6 A.M. to 5 P.M., near Sterling, Colorado, Oct. 21, 1915.4

Family of Fred Karb and their mud shack -- beet workers near Sterling, Colo. They all work from 5:30 A.M. to 7:00 P.M. with about an hour for lunch. The 6 and 8 yr. olds pull and pile, -10 and 12 yr. olds pull and top. Oct 22, 1915.

Family of Fred Karb and their mud shack — beet workers near Sterling, Colo. They all work from 5:30 A.M. to 7:00 P.M. with about an hour for lunch. The 6 and 8 yr. olds pull and pile, -10 and 12 yr. olds pull and top. Oct 22, 1915.5

Part of the family of George Padroni, near Sterling, Colo. They have 9 children and some hired help. Only one child in school. This is 6 yr. old Lena, who works some, too. The 8 yr. old boy pulls and piles beets. 9 and 12 yr. old boys run the pulling machine. 11 yr. old girl piles and tops and does housework. 13 yr. old girl piles and tops.

Part of the family of George Padroni, near Sterling, Colo. They have 9 children and some hired help. Only one child in school. This is 6 yr. old Lena, who works some, too. The 8 yr. old boy pulls and piles beets. 9 and 12 yr. old boys run the pulling machine, the mother said, “We all got to do all we can.” 11 yr. old girl piles and tops and does housework. 13 yr. old girl piles and tops. Says she hasn’t hurt herself with the knife this year, but did last year. The whole family begins work from 5 to 6 A.M. and works until 6 P.M. and after, with time off for dinner. Pedroni has been living here for 20 yrs., owns several hundred acres, about 100 in beets. Is said to be well-to-do.Location: Oct. 25, 1915.6

Hine, Lewis Wickes, photographer. A Giddings beet-puller, drawn by 4 horses. The two knives pass along the sides of the beet rows and loosen the soil -- but they do not pull the beets -- the workers finish pulling by hand, often with some extra exertion. A kind of hand plow puller is often used on small farms. Near Sterling, Colorado Oct. 23, 1915.

A Giddings beet-puller, drawn by 4 horses. The two knives pass along the sides of the beet rows and loosen the soil — but they do not pull the beets — the workers finish pulling by hand, often with some extra exertion. A kind of hand plow puller is often used on small farms. Near Sterling, Colorado, Oct. 23, 1915.7

The random topic this time was sugar which I used as a search term in the U.S. Library of Congress Prints & Photographs Online Catalog. Several Lewis Hines photographs of child sugar beet workers appeared on the first page of the search, which led to refining the search to sugar beet workers, from which I selected this images


Sources:

  1. Hine, Lewis Wickes, photographer. Image. Retrieved from the Library of Congress, www.loc.gov/pictures/collection/nclc/item/ncl2004004202/PP/. (Accessed October 06, 2016.)
  2. Hine, Lewis Wickes, photographer.  Image retrieved from the Library of Congress, www.loc.gov/pictures/collection/nclc/item/ncl2004004216/PP/. (Accessed October 06, 2016.)
  3. Hine, Lewis Wickes, photographer. Image retrieved from the Library of Congress, www.loc.gov/pictures/collection/nclc/item/ncl2004004203/PP/. (Accessed October 06, 2016.)
  4. Hine, Lewis Wickes, photographer. Image retrieved from the Library of Congress, www.loc.gov/pictures/collection/nclc/item/ncl2004004286/PP/. (Accessed October 06, 2016.)
  5. Hine, Lewis Wickes, photographer. Image retrieved from the Library of Congress, www.loc.gov/pictures/collection/nclc/item/ncl2004004301/PP/. (Accessed October 05, 2016.)
  6. Wickes, photographer. Image retrieved from the Library of Congress, www.loc.gov/pictures/item/ncl2004004254/PP/. (Accessed October 06, 2016.)
  7. Hine, Lewis Wickes, photographer. Image retrieved from the Library of Congress, https://www.loc.gov/item/ncl2004004310/PP/. (Accessed October 05, 2016.)
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Brentwood Rest Area, Hwy 71, Arkansas

Three from the Road #13 – 2010 trip

West Fork of the White River, Brentwood Rest Area, Hwy 71, Arkansas

West Fork of the White River, Brentwood Rest Area, Hwy 71, Arkansas

On July 2, 2010, our first day of travel for a trip out west, we were I540 in western Arkansas trying to decide where to pull over for a break and lunch. Just before we got to the Winslow exit, I remembered a rest area on old highway 71 that we used to stop at almost every time we went over the mountains.  We weren’t sure that it would be still open since almost all of the through traffic bypasses that area now.  We decided to check it out.

During the 1980s and 90s, we often traveled US Highway 71 to northwest Arkansas to visit Karen’s family. Along the way, we would sometimes make a stop at the State of Arkansas rest area near Brentwood. During most of that time, a new four lane highway was under construction to bypass old US 71.  On January 8, 1999, the new highway was fully opened to traffic as 540, reducing our travel time from sometimes over 3 hours – depending on traffic and weather – to just over 2 hours.

Brentwood Rest Area, Hwy 71, Arkansas

We were pleased to find that the rest area was not only still open, but had been significantly improved.  The rest room building and the area around it was still much the same, but remodeled, with new fixtures, and cleaner overall.

Located on US 71, between Winslow and West Fork, the park now boasts a 1/3 mile fitness trail and other recent improvements.  Part of the trail is on the bank of the West Fork of the White River, which at this time of year is normally little more than a trickle.

No longer a State of Arkansas facility, it is now the Brentwood Community Park.  With traffic moving to I540 (now I49) after that freeway opened in the late 90s, rest area usage plunged.  The Arkansas State Highway Department closed it in 2001 because of vandalism and lack of use.  It was subsequently reopened with the idea of locating a law enforcement substation there.  After that never materialized, the park was on the verge of being closed again when local residents volunteered to take care of daily maintenance.

West Fork of the White River, Brentwood Rest Area, Hwy 71, Arkansas

West Fork of the White River, Brentwood Rest Area, Hwy 71, Arkansas


References:

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Perforated Object

Art on Sunday #19, Random Topic # 8 and 21st Century Digital #4

Highsmith, Carol M, photographer. Sculpture "Perforated Object" at Virginia Street entrance of Bruce R. Thompson U.S. Courthouse, Reno, Nevada. 2007

Sculpture Perforated Object at Virginia Street entrance of Bruce R. Thompson U.S. Courthouse, Reno, Nevada. 20071

This week’s Art on Sunday post was “inspired” by random topic selection “object” which was searched in the Library of Congress Prints & Photographs Online Catalog. As the original is digital in format, it also fits in my 21st century series.

A plaque, attached to a large granite boulder, situated just to the south of the sculpture, reads:

MICHAEL HEIZER
PERFORATED OBJECT
1996

Steel sculpture in two parts:
Virginia Street element: 27′ long, 9’9″ high, 5’5″ wide
Liberty Street element: 34′ long, 1’3″ high, 3’6″ wide

Perforated Object was inspired by an artifact discovered in 1936 in a excavation headed by anthropologist and archaeologist Robert F. Heizer, the artist’s father. The original artifact unearthed in the Humboldt Cave nearly 100 miles southeast of Reno, was carved from the horn of a bighorn sheep and “perforated” by 90 holes drilled through it. Created over 1500 years ago and left with the belongings of a Shoshone shaman. It’s purpose remains unknown, though it may have been of spiritual or ritual use.

This modern interpretation of the original object is constructed of bridge building steel and is approximately 450 times larger in size. The rough line of steel rings, placed on the opposite side of the building represent the negative space of the perforations, a reminder of the artifacts mystery. Perforated Object, fabricated at the artists Nevada studio, is simultaneously a contemporary public artwork and an emblem of the original early Native American inhabitants of the region.

Michael Heizer, the artist, was born in 1944 in Berkeley, California, and grew up visiting archaeological sites around the world. He is one of America’s most important and internationally acclaimed sculptors.

Commissioned for the United States by the General Services Administration
Art-in-Architecture Program


Source:

  1. Highsmith, Carol M, photographer.  Image retrieved from the Library of Congress, www.loc.gov/pictures/item/2010720021/. (Accessed October 05, 2016.)
    Notes:

    • Medium: 1 photograph: digital, TIFF file, color.
    • Artist: Michael Heizer, 1996.
    • Steel, measuring 9.5′ x 27′.
    • Photographed as part of an assignment for the General Services Administration.
    • Credit line: Photographs in the Carol M. Highsmith Archive, Library of Congress, Prints and Photographs Division.
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